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Bitte richten Sie eine Nachricht an Dr. Ute Haug unter ute.haug[at]hamburger-kunsthalle.de.\r\n***\r\nProvenance research pending.\r\nDo you have questions, criticism, suggestions, and further information? Please send a message to Dr. Ute Haug at ute.haug[at]hamburger-kunsthalle.de.","acquisition_date":"","avers":{"leg_trans":"C in Sachsen kleiner und hochgestellt","leg_text":"GEORG \u2219 II \u2219 HERZOG v. SACHSEN-MEININGEN \u2219","image_description":"Brustbild des Georg II. im Mantel mit breitem Pelzkragen nach rechts. 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Hamburger Kunsthalle, ID1669. Aufnahme durch Sylvia Karges. Medailleur\/in: Prof. Georg Roemer.","en":"Image files are licensed&nbsp;<a href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/deed.en\" target=\"_blank\">Public Domain Mark 1.0<\/a>. Hamburger Kunsthalle, ID1669. Photographs by Sylvia Karges. Medalist: Prof. Georg Roemer."}},"revers":{"leg_trans":"Treu und standhaft","leg_text":"FIDELITER \/ ET \/ CONSTANTER","image_description":"Dreizeilige Aufschrift, darunter zwei nebeneinanderstehende Eichenbaumst\u00fcmpfe, deren \u00c4ste und sichtbaren Wurzeln miteinander verschr\u00e4nkt sind. Die beiden \u00c4sten tragen Bl\u00e4tter und jeweils eine Eichel.","foto_date":"2022-09-28","photographer":{"ikmk_photographer_id":"4","photographer_name":"Sylvia Karges","photographer_gnd":"https:\/\/d-nb.info\/gnd\/1176756559","photographer_viaf":"https:\/\/viaf.org\/viaf\/18154921184263590253"},"path_thumbnail":"https:\/\/hamburger-kunsthalle.ikmk.net\/image\/ID1669\/rs_opt.jpg","path_opt":"https:\/\/hamburger-kunsthalle.ikmk.net\/image\/ID1669\/rs_opt.jpg","path_opt_rel":"\/var\/www\/vhosts\/ikmk.net\/httpdocs\/hamburger-kunsthalle.ikmk.net\/mk-edit\/images\/n1\/1669\/rs_opt.jpg","path":"https:\/\/hamburger-kunsthalle.ikmk.net\/image\/ID1669\/rs_org.jpg","path_org":"https:\/\/hamburger-kunsthalle.ikmk.net\/image\/ID1669\/rs_org.jpg","image_timestamp":1665141124,"copyright":{"short":"PDM 1.0","url":"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/","de":"Bilddateien sind <a href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/deed.de\" target=\"_blank\">Public Domain Mark 1.0<\/a>. Hamburger Kunsthalle, ID1669. Aufnahme durch Sylvia Karges. Medailleur\/in: Prof. Georg Roemer.","en":"Image files are licensed&nbsp;<a href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/deed.en\" target=\"_blank\">Public Domain Mark 1.0<\/a>. Hamburger Kunsthalle, ID1669. Photographs by Sylvia Karges. Medalist: Prof. Georg Roemer."}},"division":{"ikmk_division_id":"4","division_name_de":"Medaillen","division_name_en":"Medals"},"sub_division":{"ikmk_subdivision_id":"30","subdivision_name_de":"20. Jh. bis heute","subdivision_name_en":"20th century to present"},"literatur":"S. Salaschek, Katalog der Medaillen und Plaketten des 19. und 20. Jahrhunderts im franz\u00f6sischen und deutschen Sprachraum in der Hamburger Kunsthalle (1980) Nr. 1382; Catalogue of the International Exhibition of Contemporary Medals, American Numismatic Society, New York (1911) S. 261, Nr. 7; U. K\u00f6cke (bearb.), Katalog der Medaillen und Plaketten des 19. und 20. Jahrhunderts in der Bremer Kunsthalle (1975) S. 121\/122 Abb. 59\/60; M. Heidemann, Medaillenkunst in Deutschland von 1895-1914 in: W. Steguweit (Hrsg.), Die Kunstmedaille in Deutschland 8 (1998) S. 258 Nr. 769 (dieses St\u00fcck erw\u00e4hnt, datiert 1907\/08 Verleger: C. G. 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Jh. in ihren k\u00fcnstlerischen Entfaltungsm\u00f6glichkeiten eingeengt hatte. Pr\u00e4geeffekte mit einem matt gl\u00e4nzenden Relief auf \u201epolierter Platte\u201c hatten die Vorstellung von einem anscheinend \u201eewigen\u201c Medaillenstil verfestigt. Art Nouveau, Sezession und Jugendstil sind Bezeichnungen f\u00fcr neues F\u00fchlen und Gestalten auch im Medaillenschaffen. Mit \u201eVolkslied der Skulptur\u201c w\u00e4hlte Alfred Lichtwark, einer ihrer Protagonisten, eine Metapher f\u00fcr Synergien, die die Medaille aus den k\u00fcnstlerischen Gesamtbestrebungen bezog. Flie\u00dfende Formen, Reduzierung der Miniaturdenkmale auf Allt\u00e4gliches, auf Gef\u00fchle und Stimmungen, kennzeichnen die neue Auffassung von der Medaille als einem \u201esinnlichen\u201c Relief. Durch Vermeidung harter Konturen selbst bei der seriell produzierten Pr\u00e4gemedaille und mittels kunstvoller Patinierungen wurde der \u00e4sthetische und haptische Reiz der neuartigen Kleinreliefs verst\u00e4rkt. Vorreiter waren die fast ausschlie\u00dflich in Paris bzw. Wien ans\u00e4ssigen franz\u00f6sischen und \u00f6sterreichischen Medailleure. In Deutschland waren die Bildhauerzentren Berlin und M\u00fcnchen zwar auch im Medaillenschaffen dominierend, aber die alten Reichs- und Residenzst\u00e4dte mit ihren M\u00fcnzst\u00e4tten und privaten Pr\u00e4gebetrieben sorgten gleicherma\u00dfen f\u00fcr stilistische und technische Innovation.","year_from":"1890","year_until":"1914","autor":"Steguweit, Wolfgang"},{"ikmk_timeline_id":"153","timeline_item":"Hamburger Kunsthalle. Medaillen des 20. 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